ARTIST: SAM V. PHOTO: SAMUEL BERNARD
August 6th, 2026
Doused in glittering violin, dark imagery, and moody instrumentation, ‘Julia Roberts’ marks the kiwi singer-songwriter’s first release since relocating to the United Kingdom in mid-2026.
Born out of a character writing exercise while on Parachute Music’s Artist Development Program at only eighteen-years-old, the track underscores the stark differences between reality and cinematic fairytale endings. Written from the perspective of a fictional protagonist, ‘Julia Roberts’ references its namesake’s famed role in Pretty Woman, while lamenting a glamorous deliverance akin to the one awarded to the film’s main character.
Though a rare outlier from Caffyn’s autobiographical discography, ‘Julia Roberts’ maintains its writer’s vulnerable and relatable lyrical touch, transporting the listener to a world full of microwave dinners, self-loathing, unmet expectations, and the disappointments that accompany growing up.
Initially released as a cassette demo – recorded in one take with one mic and put onto tape – on her 2022 debut EP The Replacement Blonde, the track has accompanied Becca throughout the early years of her career, becoming a permanent fixture and fan favourite in live show setlists. Evocative in both its acoustic and full band forms, the track is a testament to Caffyn’s lyrical prowess and knack for narrative songwriting.
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Becca Caffyn is nothing if not honest. Both in her confessional lyrics, akin to journal entries, and her accompanying persona, Becca Caffyn wears her heart on her sleeve.
Blending introspective bedroom folk with the indie pop sensibilities of the likes of Lizzy McAlpine, Phoebe Bridgers, and Julia Jacklin, the singer-songwriter crafts gentle melodies and writes with prescient clarity, detailing stories of heartbreak, growing pains, and simply missing your mum.
Cutting her teeth in Dunedin’s iconic live music scene while at University, Caffyn has taken the stage all around New Zealand, supporting acts such as The Rions, Frankie Venter, Borderline, Letters to Lions and Mim Jensen and landing gigs such as the Dunedin Craft Beer and Food Festival, and UCSA & OUSA Orientation Weeks. Accompanying these performances, Caffyn has also released two EPs, ‘The Replacement Blonde’ (2022) and ‘Hallways’ (2024), with the title track of the latter winning an Aotearoa Alternative Award for Radio One’s Favourite Song of 2024.
Whether solo or accompanied by her sparkling band, Caffyn captures attention with her candid lyricism and keeps it with her endearing on-stage wit, both born out of an unwillingness, or at times an inability, to not say exactly what is on her mind. Caffyn lays her soul bare, exploring complex and weighty emotions she never intends on sharing in songs she inevitably ends up releasing, all while retaining her signature tongue-in-cheek charm.
Originally hailing from Aotearoa New Zealand, the now London based singer-songwriter is gearing up for a busy remainder of the year, releasing a song a month from August through to December of 2026.